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Best File Formats for Print (cont'd)
Tip #2
If your EPS file won’t print correctly to a non-PostScript printer, try opening it in an Adobe Creative Suite application such as Photoshop or Illustrator. These applications let you rasterize the PostScript data (convert vector data in the file to pixels) for better-looking output on non-PostScript printers. You can also save as a PDF file from these applications, which will send rasterized image data to your printer.

Tip #3
Photoshop CS allows you to quickly create a presentation for your clients. Use PDF Presentation in the Automate menu. Add images and you have a single PDF file that can be presented or e-mailed as a professional and snappylooking slide show.

Recommended resources
Real World Scanning and Halftones, 3rd edition, by David Blatner et al, $35.99, Peachpit Press, www.peachpit.com
Real World Adobe Photoshop CS, by David Blatner and Bruce Fraser, $44.99, Peachpit Press. www.peachpit.com



Figure 1. The PDF Presentation feature in Photoshop CS allows you to quickly create a slide show that’s handy for checking in with clients.

EPS (Encapsulated PostScript)
EPS is a format that encapsulates or wraps all artwork (vector and bitmapped) in PostScript code; it includes a low-resolution preview of the artwork for display purposes. This format was designed to create files that could be placed in page layout applications, then left alone. EPS files are to be printed to a PostScript printer or RIP (Raster Image Processor). You can expect poor-quality EPS image output from low-cost inkjet printers.

When you place an EPS file in an application, it’s protected from any major changes to its structure: You’re able to scale the artwork, but you cannot down-sample the resolution, change the type or colors in the art, or even crop correctly. To make these changes, you’ll need to return to the originating application (such as Photoshop or Illustrator). Or you can save the file as a TIFF instead.

The low-res preview displays the artwork onscreen; it’s used when printing to a non-PostScript printer. You can choose between several previews, from a very coarse 1-bit (black-and-white) preview to an 8-bit TIFF preview. Using Photoshop on a Mac, you can choose a JPEG preview, which creates a richcolored, smooth preview and a smaller file size, too.

The EPS format offers lossy compression in applications like Photoshop, which can result in small file sizes. If you use spot colors, you can choose a special flavor of EPS called the DCS (Desktop Color Separation) format. Available in Photoshop, it saves a file containing spot colors for accurate printing from layout applications such as InDesign and QuarkXPress. The EPS format also allows you to save special halftone screens, useful for printing duotone files. See Tip #2.

PDF (Portable Document Format)
The PDF is useful for saving artwork featuring precise layout and a significant amount of formatted text. Over the years, PDF has grown in stature from its humble origins as a “precise file exchange” format to a mainstay in the fields of prepress and electronic learning. One benefit: PDF allows you to embed fonts in a document, so type and layout both preview and print consistently wherever the file travels.

PDF files are generally small in size, because of the JPEG (lossy) compression. This makes them ideal for e-mailing and web publishing. PDF supports embedded ICC profiles and can display colors in the document in a consistent fashion even at a remote site on a calibrated, profiled monitor. This makes it ideal for sending proofs to clients. See Tip #3 on how to make PDF proofs that will dazzle your clients!

PDF documents will save layers in your artwork, making it easy to return to applications such as Photoshop and Illustrator to edit the artwork. The neat thing about this is that the JPEG compression degrades the PDF, but not the layered art—so you can resave as PDF with JPEG compression, with little loss to image quality. Some security measures such as password protection and disabled printing can be built into a PDF file, making it a good choice for saving portfolio and client review art.

About the author
Rita Amladi is the owner of Orion Arts & Communications, a digital imaging training and consulting company. She is a Certified Technical Trainer and an Adobe Certified Trainer for Photoshop. She teaches classes on Photoshop and topics such as color scanning and digital capture, color correction, digital special effects, and production techniques for print and web art. Her latest training CD is ICC Color Management in Photoshop 7 from Virtual Training Company.
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