Phew! Redesigning a website from
scratch is not an easy task. Take it from
DG editors Tom Biederbeck and Marcy
Slane, art director Kathie Alexander, and
Steve Kapsinow, editor of the Graphics.com
network, which DG is now part of. With the help
of many others, they diligently worked on a new
web presence for DG for months, bringing it to a
semi-conclusion August 1—semi because the site will
constantly evolve, being updated with new content
every week.
While Biederbeck, Slane, and Alexander were
responsible for the content and layout of the website,
their experience is in print design, so aspects of
their wish lists didn’t translate well to the web. “A
website is always a challenge for print designers,” says
Alexander. “It’s a completely different monster.”
Kapsinow had the role of separating the “dream”
site from web reality. “One request that stands out
is changing the site’s color palette with each issue,
which was too ambitious and impractical,” explains
Kapsinow. “Think of a website as one constantly
growing issue—design and navigation should be
consistent.” Another problem with the staff’s original
recommendations was that layouts were too precise.
Not an issue for print, but when a site is to be
updated weekly, strict layouts can cause problems.
“I wanted the site to be a resource of information
and inspiration,” Alexander says, “a place for
designers to visit when stumped by a design problem,
to learn something new with every visit.” Kapsinow
successfully combined the magazine group’s redesign
wishes with the constraints of the web, creating a site
that everyone—DG staff, upper management, and
especially readers—is happy with so far.
“We’re thrilled to be out there in the web
environment with a site that offers a lot of content,”
notes Biederbeck. “Our site is different from most
design magazines in that we’re not fearful that posting
free content on the web will hurt our print circulation.
We think visitors will be intrigued by what
they see and want to get the whole picture by subscribing
to our print version. This is simply a great
way to offer more to the design community.”
1. Original site
The original DG site
missed the mark in
several areas: There
was no archive of
past issues, it didn’t
provide any content
besides a general
table of contents and
short introductions for
each article, and its
branding was pretty
much nonexistent.
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2. Fonts
The internet doesn’t
lend itself well to a
variety of fonts. We
weren’t able to use
Gotham, one of our
signature fonts, on
our site, but Verdana
is a reasonable match.
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3. Color
The concept of implementing
an accent
color was carried over
from the magazine.
Art director Kathie
Alexander chose cyan,
which works well with
most images, and is a
bright, eye-catching
hue that doesn’t hinder
readability.
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4. Branding elements
The circle motif was
brought into the new
DG website for branding
consistency. We
sought to carry the
personality of DG
throughout the redesign,
regardless of
web constraints.
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