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GX: The Guard Experience
Portraying the American citizensoldier, GX magazine employs both novel and time-tested techniques to create visual impact. 

by Terry Lee Stone
June/July 2006

Reaching out
GX is a glossy magazine created for National Guardsmen and their families, authentically capturing the experience of being in the Guard. “The GX logo, in military terms, is tactical— that is, moving fast but precisely,” says GX art director Kenneth White. The clean, sharp lines of the blocky oblique monogram suggest velocity, while the metallic rendering is bold and polished. Cover imagery is selected to illustrate the issue’s theme, as seen here with the Statue of Liberty image representing American patriotism.
GX: The Guard Experience is a bimonthly magazine for the citizen-soldiers of the National Guard, a hardworking, tradition-bound group of Americans who suit up to battle hurricanes, floods, forest fires, and sometimes conflicts overseas, as in the current War on Global Terrorism. The publication connects Guardsmen and their families with news, information, and lifestyle pieces targeted to their special interests. GX (www.gxonline.com) was created and is produced by Nashville-based IOStudio (a reference to Input/Output and the firms’ high-tech origins) and has a circulation of 250,000.

IOStudio developed not only the print magazine, but an online version of GX as well. Both have been enormously well received by the target audience. In February 2005, The New York Times called GX “a valentine to the National Guard … a source of both information and comfort to some of the men and women shipping out and the families they are leaving behind.” Editor in chief Ed Brown says the publication is successful because “GX speaks to members of the Guard as ‘normal’ [people] … not just as soldiers, but as parents, businesspeople, and members of our communities.” Besides, adds publisher Mitch Powers, “Families like reading about the Guard’s good works.”

The magazine is balanced and respectful, celebrating the sacrifices and courage it takes to serve, while displaying just a hint of irreverence, making it an enjoyable read. GX has run stories of battle duty, ways in which the Guard helps preserve the environment, advanced technologies that go into new protective gear, in-depth information about military benefits and services, and fun lifestyle pieces on fitness, outdoor sports, and NASCAR. Soldiers’ spouses get real insights into the services their loved ones are providing to others when they are away from their homes on duty.

Stories tend to be brief, with a wide variety of Guard members featured, and imagery is abundant. GX art director Kenneth White makes full use of visuals available from a range of sources. “These soldiers are involved in amazing things, and GX shows them in action,” says White. Photos are supplied by the U.S. Department of Defense, the public affairs departments of the state branches of the Guard, and by soldiers themselves. This means that the images are of varying quality, from spectacular photographs used as double-page spreads in the “Recon” section of the magazine (see page 47) to lesser-quality snapshots. White and his team have developed a knack for assembling these poorer images into striking and memorable collages, often giving them special border treatments and edge textures (see right and following pages), which help to unify the material. GX uses imagery to illustrate and incorporate the Seven Army Values—Loyalty, Duty, Respect, Selfless Service, Honor, Integrity, and Personal Courage—in a way that words alone cannot capture. The photos are a large part of how GX delivers the “common experience of the Guard,” as Brown puts it.

Today’s National Guard is comprised of people who are not only soldiers, but also our relatives and neighbors. A Guardsman may be male or female, early 20s or mid-40s. They might be your banker, cable TV technician, even your dentist. They are a highly trained, tech-savvy group of brave men and women who care deeply for the country and all it stands for. GX speaks their language, appealing to seasoned veterans as well as new troops, and acknowledging them as true modern-day heroes.


Picturing freedom
Each issue of GX contains several doublepage spreads with full-bleed images. Called “Recon,” these spreads spotlight photojournalism about the Guard. Photo sources include the Associated Press, as well as the National Guard.

Recon represents the Guardsmen’s activities— from humanitarian to military fighting missions. Photos are chosen to capture recent events while presenting a 360-degree view of our citizen-soldiers. “Readers love seeing their favorite Guard units covered,” says GX editor Ed Brown. A graphic element used on each spread is the small map box in the lower corner. These simple, clear maps indicate where the Guard unit is from and where it was at the time of the photograph. It’s a quick reference to how far away the soldiers are from home. These graphics, along with thin white grid rules, also provide continuity among the Recon pages, unifying them graphically into a cohesive section.


A “top secret” look
A collage of images and typography conveys a hands-on quality to the Guard’s high-tech files in a feature about counterdrug operations. Images of equipment include white border treatments to suggest official snapshots and to advance them visually from the background. The photos are “tossed” on top of file folders with captions that resemble typed pages. This layout is arranged over a dramatic landscape and fills the doublepage spread in an appealing graphic way, stretching the content and infusing it with immediate meaning by association with filing iconography.


A blend of new & old
For a feature on the Park Avenue Armory, home to New York’s Seventh Regiment of the Army National Guard, the art director created a subtle background of textures to play against imagery. The torn paper edges blended with the crisply bordered photos lends elegance to the spread, while the bar at the top of the page gives it a contemporary feeling. The juxtaposition of the modern with the traditional is present in each issue, giving GX a unique voice and capturing the Guard’s true character.


A tapestry of visuals
These spreads illustrate the challenges GX faces in unifying collections of disparate source materials to create the visuals for its features. Using a layering of type, pattern, copyrightfree engravings from Dover publications, vintage portraits, professionally photographed action shots, and the soldiers’ own snapshots, the GX creative team relies on Adobe CS2 to create these collages. The designers consistently take readers on visual journeys from past to present. It’s common for GX to include horizontal sidebars or timelines, as well as delicate typographic elements in headline displays to soften the layout. GX is simultaneously bold and sensitive, giving an unexpected dimension to the material.


Balanced layouts
These departments appear in each issue of GX. “Victory Map” (right) is a synopsis of units’ small victories around the world. The text boxes’ clipped corners are a recurring motif. “

A Treasure Trove of Great Images: The U.S. Government
Many types of interesting photographs are available FREE from the U.S. Government and federal and state agencies. The Library of Congress has countless royalty-free, typically historic photographs that anyone can download and use. Some sources require a minimal fee for prints; others have digital files readily available. Because there is so much material to choose from, it’s a good idea to do a web search. Use these links as a starting place to begin.
Library of Congress:
Library of Congress Prints & Reading Room
Library of Congress American Memory (including Ansel Adams images)
States also have images, especially historic ones:
State Photo Galleries (from the U.S. Government’s portal site)
California State Library’s Historic Posters of California
Indiana State Library’s Images of Indiana
Some cities also provide images for a small fee:
Romer Collection: Images of Miami Beach, 1925–50
Imagery is available through national museums:
Smithsonian Images
Smithsonian American Art Museum
National Gallery of Art Library Photographic Archives
Some government agencies also provide images:
U.S. Federal Government Public Domain Images
NASA’s National Space Science Data Center
Here’s where to get the NASA photo of Earth known as “the blue marble”
U.S. Government Graphics and Photographs (also from the U.S. Government’s portal site)
U.S. Army Media Center (note: each military branch has a site; see previous link for an excellent directory)
U.S. Fish and Wildlife Service Digital Library System
The U.S. Mint, Department of the Treasury

About the author
Terry Stone is a design management consultant and educator. She is the strategy director for AdamsMorioka Inc. and co-author of Logo Design Workbook (2004, Rockport Publishers) with Sean Adams and Noreen Morioka.
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