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Who better to lead a redesign than those who know the brand best? Four in-house departments share their makeover strategies. 

by Michelle Taute
June/July 2006
It’s catch-22. As an in-house designer, you know the brand inside and out because you work with it every day. But that same familiarity—the fact that you’re right down the hall—can often work against you in the eyes of company decision makers. Too often, an expert is defined as someone from the outside. This mindset can make it difficult for in-house designers to champion their own ideas for redesigns and win the right to tackle major rebranding efforts over outside firms. The reality, however, is that inhouse departments head up stunning redesigns all the time. Here’s a look at four different paths to success.

1. Become a partner
After he joined Rand McNally in 2004, Joerg Metzner went to work repositioning his department within the company. “Design was an afterthought,” says the design director. “The general attitude was that in-house designers were just there to ‘make it pretty.’” He quickly moved his team out of a hidden, windowless room and started promoting their capabilities internally. The primary message: “We’re partners in branding and problem solving. Bring us into the process earlier.”

Today his eight-person department is a critical part of the company’s push for positive change. They’ve redesigned annual books, an effort that helped boost sales. One key change was the addition of local photography to map and guide covers. These images help consumers make an immediate connection with the product, and since many of the photos come free from chambers of commerce and tourist bureaus, it’s a low-cost solution. Metzner and his team also worked to redesign and standardize the company’s business cards and stationery, as well as refresh its logo.

He believes in-house designers need to position themselves as strategic thinkers rather than creative services. One change he made, for example, was the name of his department—from Art and Design to simply Design, emphasizing that his team’s capabilities reach far beyond looks. Another key, he says, is getting in front of final decision makers, such as the president, CEO, or chief marketing officer. They’re the people who can really green-light your ideas.

Metzner has also made a change that routes all design projects through his department. Previously, each marketing team had its own chosen outside designer or agency. The new approach promotes both consistency and cost savings. It also lets the design team decide what needs to be sent out. His final words of wisdom: “Let your light shine and be bold. Do multiple solutions. Really try to act like an outside design firm.”


Time for change
Rand McNally wanted to give book covers greater impact and a more contemporary look. Redesigned covers feature bigger titles set on white space to help them stand out. Designers also worked to create a hierarchy of information— giving the title the most importance. In addition, they limited bullets by scaling down marketing copy to make it as succinct as possible.


Freshening up
The new Rand McNally logo’s customized version of Futura is more contemporary. “We shied away from a complete brand overhaul,” says design director Joerg Metzner. “It’s an evolution vs. a whole new design.”


Embracing uniformity
Metzner realized that almost every company business card was different, so he initiated a stationery redesign. New cards feature an engaging, two-sided design that creates brand consistency, with latitude/longitude and URL pulled out for emphasis.


Grabbing attention
When it was time to update some editorial pages in America, designers took the opportunity to create a bolder, cleaner cover. The new book features a striking photo that wraps around the spine in the same way the river flows around the rocks. “We’re showing that Rand McNally is moving forward,” Metzner says. “It’s a fresher look.”


Going local
New street guide covers feature local photography to forge connections with buyers. “Before, we didn’t have any photography at all,” Metzner says. “They were kind of bland and utilitarian.”

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