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Identity
Exploring Judaica
There are as many visual expressions of Judaism as there are interpretations of the faith itself. 

by Terry Lee Stone
Oct/Nov 2006
The diverse movements, practices, and customs in Judaism inspire a range of ideas and expressions in art and design. Books, papers, and objects having to do with the Jews and Judaism are often referred to as Judaica. Like everything else in contemporary society, the definition of what is Judaica is also being stretched by technology to include websites and digital art as well as traditional objects like items for holiday observance, such as the branched candelabrum, the menorah.

Modern designers in the U.S. and Israel work to create beautifully crafted pieces that serve a variety of needs, from a brochure for a nonprofit social aid organization to a series of tiles that aid in prayers and meditation to humorous books about Jewish holidays. All are well-considered expressions of Jewish ideals.

Expressing a true identity
Daniel Sieradski, the director of Matzat, a web design consultancy that works primarily for nonprofit organizations in Israel, says, “I am a deeply committed Jewish person. My art is simply an expression of my identity. I have been working for a number of years on different projects aimed towards fostering dialogue and establishing greater connections between individuals within the Jewish community.” Matzat’s projects include JewSchool.com and MazalTovCocktail.com (see facing page), which feature an array of contributors from different countries exchanging progressive viewpoints in celebration of modern Jewish culture.

Sieradski is one of a growing number of creatives who have started enterprises that are in line with who they are as people, driven by personal ideals. Karen Handelman quit her high-paying, high-stress job in corporate America and started 501 Creative in St. Louis. Like Matzat, her company works exclusively in the nonprofit sector, often for Jewish services and organizations. “My first clients were from the Jewish community. So many were hungry for good design, even though they only had small nonprofit budgets,” she recalls. Handelman found that there was a void in the marketplace for a firm that offered affordable design and was willing to take the time to build ongoing relationships with charitable organizations. 501 Creative fills the need, has been in business 11 years, and employs seven people.


501 Creative
“We feel strongly that design for the Jewish community does not need to be overdone with stars of David and other Jewish icons,” notes 501 Creative’s Karen Handelman. “When appropriate, we consider working Hebrew into artwork, but logos especially don’t scream ‘We’re Jewish!’ because we are already talking to a Jewish audience.” ChaiLine (not shown here) is a logo for a proposed weekly publication about families in need and how to help them. Ramah Day Camp logos convey energy, nature, and Jewishness, too. The congregation Shaare Emeth identity features a stylized menorahlike icon. “One of the challenges with designing the academy logo [Saul Mirowitz Day School] was knowing the school might change names if a donor came forward with a naming-level gift. That happened, but only the type needed to change,” she recalls.

New York-based And Partners also works with a range of Jewish nonprofits, but as one aspect of a diverse practice. Creative director David Schimmel and team have been working closely with The National Council of Jewish Women (NCJW). Recently, the firm revitalized the brand identity of this well-established women’s service organization.


And Partners
The National Council of Jewish Women (NCJW) is a nonprofi t with progressive views on issues affecting women and children. The NCJW Journal is its quarterly magazine. “Though the organization is ‘Jewish,’ it is not a religious group per se, nor does it restrict non-Jewish members. So we avoid blatant references to Judaica,” says And Parners creative director David Schimmel. Instead, the designers strive to convey NCJW’s core values.

“These are smart people doing good works in the community. NCJW is interested in advocacy as a means to improve the quality of life for women and children,” says Schimmel. This is an example of what many Jewish designers have cited as work in support of time-honored Jewish values—like the tradition of activism for social justice—rather than work that is specifically for or about religious dimensions of the Jewish community.

Religious observance through design
Then there are some designers whose work aids the practice of Judaism. Martin Mendelsberg, designer and teacher at Rocky Mountain College of Art and Design in Denver, has specialized in the design of Hebrew typography (see his fine art work at HolocaustPortfolio.org). His font Torah is available for sale through Israel’s Masterfont, Ltd. (see sidebar below). Mendelsberg created the Mystical Spheres series of designs as an expression of his faith and as an aid to meditation and prayer. Sources of inspiration for his work include the Holocaust; Torah; Hebrew letterforms; Jewish history, signs, and symbols; and the practice of Kabbalah. “My partner in Alef Bet Designs, David Sanders, is a Kabbalah teacher and expert. I exchange concepts with him, and then bring the ideas to fruition in terms of graphic representations for purposes of education and exhibition. Kabbalah fuels my work, but I’m not that interested in ‘spreading the word,’ especially with Madonna and other popular cultural people professing the teachings. In Orthodox Judaism, one is not supposed to begin studies of the Kabbalah until one reaches 40 years.”

For the Miami design firm Armenteros & Martin, design was simply something that could be provided as a gift to the local temple. “It was a way to give back and say ‘thank you’ as a member of the congregation,” says partner Linda Martin. The firm rebranded Temple Judea membership materials for a coordinated and effective presentation.

Fun with Judaica
Not all Judaica is serious. Sometimes designers are creating work that demonstrates classic Jewish humor. Barabara Rushkoff ’s blog at Plotzworld.com, designed by Scott Gursky, is based on her successful ’zine Plotz (plotz translates literally from the Yiddish to mean “drop dead”). The site and the ’zine are both geared towards young, ironic Jews and focus on life, work, art, and culture. Rushkoff is also the author of Jewish Holiday Fun For You, a lighthearted look at the meanings and customs of the major Jewish religious celebrations, with design and illustrations by Sean Tejaratchi.


He’brew
“We like to blend traditional, formal Jewish elements with informal, irreverent ones for He’brew,” explains Shmaltz Brewing Company president Jeremy Cowan. The Messiah Bold Ale package, designed by Voice Box, features the brand’s logo with fake Hebrew typography. The promotional poster above, created by Ian Graham and David Cohen, is what Cowan calls “a celebrity endorsement” of the product.

Matzat’s website CornerProphets.com is also a contemporary take on Judaism. This site is meant for a music-crazed segment of Israeli youth. “Hiphop is bursting at the seams here currently,” explains Matzat’s Dan Sieradski, “and the time is ripe to bring hip-hop to the forefront of creative expression.”

A key player in this movement is New York’s Jdub, a nonprofit record and event production company striving to build community through new and innovative Jewish music and cross-cultural musical dialogue. Their website and music graphics, designed by Matzat, have a raw, exciting energy, and their label’s former star, Hasidic reggae singer Matisyahu, has become a huge international success.

Jeremy Cowan has captured the irreverence of Jewish culture, not in publishing or music, but with his Jewish craft beers called He’brew. Cowan, a former advertising executive, says, “I created the brand to find a way to be creative within the Jewish community.” The beers’ packaging, as well as He’brew’s website, designed by Matt Policheck and Voice Box, definitely express the lighter side while gently lampooning Jewish culture.

Whatever the area of emphasis—advocacy and service, religious observance, or just plain fun—modern Judaica gives us insights into the traditions and values of the contemporary Jewish community.

Online Exclusive: To read the full text of Terry Lee Stone’s interview with Jerusalem-based Daniel Sieradski of Matzat, go to www.dynamicgraphics. com/webextras.

SIDEBAR: Judaic Roots
There are an estimated 13-14 million Jews in the world, the majority in the United States or Israel. Judaism is a faith practiced in many forms, from the highly observant ultraconservative Orthodox to secular Jews, who essentially do not actively participate in religious observance, yet often honor Jewish culture. What binds all of these people together is a shared sense of being a “nation”—that is, a group of individuals tied by common heritage and root beliefs, whether they define themselves as religious or not.

As a religion, Judaism is communally oriented, yet open to personal interpretation. Prayers are normally recited using the plural, and holidays tend to be family- and community-oriented. According to Tracey R. Rich, whose website is called Judaism 101, “Unlike many other religions, Judaism does not focus much on abstract cosmological concepts. Although Jews have certainly considered the nature of G-d, man, the universe, life, and the afterlife at great length, there is no mandated, official, definitive belief on those subjects outside of very general concepts.” Rich continues, “Judaism focuses on relationships: the relationship between G-d and mankind, between G-d and the Jewish nation, between the Jewish nation and the land of Israel, and between human beings.”

Jewish sects and denominations are referred to as movements. Today, the three major movements in the U.S. are Reform, Conservative, and Orthodox, as well as the emerging Reconstructionist movement. These movements range from liberal and modern to very traditional in the observance and interpretation of halahah (Jewish law) and the Torah (or Hebrew Bible). In Israel, the only legally and formally recognized movement is Orthodox, although there are several interpretations of Orthodoxy (haredi, dati, or masorti) practiced. But many Israelis consider themselves to be secular (hiloni).

In addition to belonging to different movements, Jews are not necessarily homogeneous ethnically, although they are descended from two distinct groups: the Sephardic, from the Middle East and Spain, and the Ashkenazic, from Eastern Europe. When most of us think of Jewish culture, we tend to think of bagels and lox, matzah ball soup, and dreidels—these things are customs of the Ashkenazic.

SIDEBAR: Alef-Beit: Martin Mendelsberg’s journey to create a beautiful digital Hebrew font was a typographic and spiritual exploration.
Typographer and graphic designer Martin Mendelsberg became fascinated with the abstract forms and counter forms of the Alef-Beit (Hebrew alphabet) while studying prayer books and Torah scrolls as a boy. He went on to be a student at Minneapolis College of Art and Design, receiving formal typographic training that helped prepare him for the challenges of Hebrew calligraphy. Mendelsberg then attended the University of Denver, but continued reading and examining Hebrew into adulthood, studying with Dr. David Sanders, a Talmudic and Hassidic expert who eventually became his business partner. “We discovered that the Hebrew letters are not merely a convenience of language, but are considered in Jewish tradition to be essences that sustain the structure of the world. The shape, name, and numeric value of each letter have lessons to teach us about our spiritual and religious lives. These studies moved me to develop a digital Hebrew font based on the best scribal models,” he explains.

After a thorough search of available Hebrew fonts in Israel and the U.S., Mendelsberg saw that there was an absence of digital fonts that exhibited the beauty and grace of classic letterforms found in the Torah. He looked to old manuals used to train sofers (religious scribes) and ancient type specimens for inspiration. The first step was drawing the letterforms by hand using the old techniques of the scribes, then scanning the drawings to digitize them, next refining the letters in Adobe Illustrator, and, finally, importing these files into Fontographer to produce the font.

The resulting font, called Torah, is available worldwide via Masterfont Ltd., a Tel Aviv-based typeface distributor of some of the best Hebrew fonts available. The font is offered in TrueType and Postscript versions for Mac and PC. The only issue is that these fonts are not designed for American keyboards, so users in the U.S. must type backwards, or have a Hebrew keyboard, plus right to left-reading software, as Hebrew is composed from right to left. Martin Mendelsberg is now at work on another version of Torah that he calls “sans-crowns” (crowns, called tags, appear on nine letters in the original Torah font). Contact him at mendelsberg@msn.com.

SIDEBAR: Martin Mendelsberg’s List of Inspirational Books About Hebrew Typography
The Alef Beit: Jewish Thought Revealed through the Hebrew Letters, by Yitzchak Ginsburg, $40, Jason Aronson Publishers, www.rowmanlittlefield.com

Language, Culture, Type: International Type Design in the Age of Unicode, by John D. Berry (Ed.), $60, Graphis

Mishnah Berurah, Volume 1b, Hebrew/English Edition, Philipp Feldheim Inc., available used at www.amazon.com

Mysteries of the Alphabet: The Origins of Writing, by Marc- Alain Ouaknin, $24.95, Abbeville Press, www.amazon.com

The Wisdom in the Hebrew Alphabet, by Michael L. Munk and Micheal L. Munk, $24.99, Artscroll/ Mesorah Publications, www.amazon.com

Judaica resources
Armenteros & Martin Design Group

Margo Chase/Chase Design Group

Jeremy Cowan/He’brew

Scott Gursky

Karen Handelman/501 Creative

Kessler Design Group

Mike King/Crash Design

Masterfont

Matisyahu

Martin Mendelsberg
www.holocaustportfolio.org
www.alefbetdesigns.com

Matt Policheck

Tracey R. Rich/Judaism 101

Barbara Rushkoff
www.plotzworld.com
Jewish Holiday Fun for You!, by Barbara Rushkoff, $14.95, Universe, www.amazon.com

Daniel Sieradski/Matzat
www.matzat.org.il
www.jewschool.com
www.mazaltovcocktail.com
www.cornerprophets.com
www.jdubrecords.com

Voice Box

Jewish Heritage Magazine Online

Jewish Museum (Judaica for sale at Museum Store)

Ketubot (marriage contracts)

Kaballah sites:
The Inner Dimension

The Kaballah Center

Israeli poster designers:
Dov Abramson

Yossi Lemel

About the author
Terry Lee Stone is a design management consultant and writer/educator in Los Angeles, and coauthorwith AdamsMoriokaof the Color Design Workbook from Rockport Publishers.
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