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The Intersection of Direct Marketing & Branding
For real results, it’s not either marketing or branding, but the best of both. 

by Sandra J. Blum
December/January 2007
The buzz about the new intersection of branding and marketing, especially multichannel marketing, has generated a lot of reaction lately. To quote one agency head honcho, will “the insipid grasp of marketing science” denude branding of all creativity and big ideas? Or, to paraphrase the concerns of some leading direct marketers, will “branding gone stupid” destroy marketing efforts where the only thing that should count is ROI?

What’s new is that sophisticated practitioners of both see an exciting synergy, given the power of branding to trigger response when married to innovative marketing. Branding people are embracing key performance indicators (KPIs) and accountability like never before. Marketers are harnessing the power of branding to connect emotionally, project credibility and create powerful relationships.

With this shift, being left behind are the direct marketers who think branding is just a matter of logos. Joining them on the other side are the brand people who have thought direct marketing is déclassé, practiced by people imprisoned in an “ugly sells” mentality.

Out-of-control branding?
Yes, there’s branding gone wild out there (see the September 28, 2006, issue of Denny Hatch’s Business Common Sense. And there are still marketers who shortsightedly trash or ignore the brand for a one-off ROI hit. But the real winners today are the branding and marketing geniuses that leverage the natural synergy between brilliant branding and brilliant marketing to achieve profitable growth.

Elaine O’Gorman, vice president of strategy for Atlanta-based e-mail service provider Silverpop, emphasizes the importance of brand recognition in email open and response rates. “Depending on which study you read, you have between 1.5 and 6 seconds for someone to look at your e-mail, recognize that it’s from your company and make a decision on whether or not they want to hear from you,” says O’Gorman. “Having consistent elements, especially in the upper left-hand corner [where people generally start to read], so that you can achieve that recognition as soon as possible, is absolutely key.” Moreover, the e-mail must achieve “100 percent recognition in the preview pane,” she says.

Presenting the results of a study on what works in online ads (both static and animated), Phil Sawyer, senior VP of the Starch Communications division of The GfK Group, states branding comes first: You have about three seconds to catch a viewer’s interest, so don’t attempt subtlety. The research shows the brand should be the first item a person sees.

Redefining the branding connection
In a 2001 AIGA “Experience Design” seminar in a session on Brand Strategists, Chris Chalk of Goodby, Silverstein & Partners defined a brand as:

  • a business tool
  • a relationship
  • a belief system
That seems as good a modern definition as any out there.

In a recent interview on branding and professional associations, Tim McCreight of the American Institute of Chemical Engineers (AIChE) described the brand as a set of triggers, a wholistic expression of its meaning and the emotional connections that it creates. At AIChE, brand strategy has energized new member acquisition efforts, while rebranding of the website and inaugurating new electronicbased services along with innovative messaging to younger engineers have been foundations for growth. The commitment to consistent branding has also contributed to greater marketing productivity and efficiencies.

Heritage brands prove relevant
Karen Rice-Gardiner, director of Creative Services, Marketing Services for the National Geographic Society, likes this definition: “A brand is the promise of what you’ll get.”

As cochair of the brand design steering committee, Rice-Gardiner helped guide the first major branding effort in 110 years for the society at a time when it was on the verge of exponential growth with worldwide television channels and local-language editions of the magazine in every major language in the world. Plus there was a worldwide licensing launch for apparel, optics, home furnishings, toys, accessories, etc., in big box retail outlets.

The society has experienced spectacular successes as this heritage brand broadens the ways it reaches out to people. According to Rice-Gardiner, a product’s medium influences the particular image choices and messaging, but the medium does not change the overarching brand communication strategy.

New brands: Win with smartness and precision
Blue Casa Communications is a white-hot new California brand, one that grew to be the fourth largest home telephone company in the state in two short years. To Don Oas, CEO, brands today have to be “more and more precise” to respond to disintermediation and increasingly savvy consumers.

Blue Casa’s brand strategy was built on “counterpunching”— developing a brand based on everything consumers hate about doing business with the big telecoms. Consumers told them everything they needed in order to be successful. Oas sums it up: Be friendly. Be simple. Err on the side of the consumer. Think long term vs. short term. Do everything to prevent customer loss.

At Blue Casa, brilliant branding was followed by commitment to the disciplines of database marketing and direct mail that had built the business. Unwavering commitment to testing helps to constantly refine knowledge of the markets the brand serves. Unwavering commitment to the brand promise permeates every message.

Nothing is static
While someone recently wrote, “Innovation is the new black,” what’s really exciting about the innovation, experimentation and discussion swirling around now is witnessing brand creativity informed by marketing science and vice versa. It’s all about real-world workable solutions that bring together the creative and analytical disciplines.

Recommended resources
For more about Experience Design and the Experience Design community: www.aiga.org/ content.cfm?Alias= experiencedesign

Lovemarks: the future beyond brands, by Kevin Roberts, $27.50, PowerHouse Books. It tells the evolutionary story of products, trademarks and brands. Roberts, CEO Worldwide of Saatchi & Saatchi, relates the inspiration behind the idea and shows that by building respect and inspiring love, business can move the world. Roberts’ new book, The Lovemarks Effect: Winning in the Consumer Revolution, follows up. For more info, go to www.lovemarks.com.

Left Brain Marketing, by Eric Schmitt of Forrester Research Big Idea, $299. Three technology trends—media fragmentation, addressability and interactivity—are converging on the world of marketing and advertising. In the new era of “left brain marketing,” analytical strategies grounded in deep audience knowledge will rise to predominance. Creative will remain essential but will play a smaller, more sophisticated role. The looming transformation of TV into an addressable medium marks the inflection point in the shift.

About the author
Author of Designing Direct Mail That Sells, Sandra J. Blum has created winning campaigns and marketing communications for clients such as the National Geographic Society, The Atlantic, JPMorgan Chase, Smithsonian, and ACNielsen. She is a noted speaker at conferences and consults on business strategy and market development. Learn more about her at www.blumdirect.com.
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