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SmartWare Buyers Guide 2007: Digital Cameras
From fullfeatured SLRs to 10-megapixel miniature marvels that hide in the palm of your hand, digital photography has made giant strides in 2006 and the time has never been better to pick one up. 

by Roger Hunsicker
December/January 2007
Today’s digital cameras feature higher resolution, intelligence, speed, flexibility and accuracy at bargain prices. From fullfeatured SLRs to 10- megapixel miniature marvels that hide in the palm of your hand, digital photography has made giant strides in 2006 and the time has never been better to pick one up.

More of the best
When the world’s largest photographic tradeshow, Photokina 2006, ended in Cologne, Germany, on Oct. 1, camera makers had stunned the world with announcements of their hottest new products for the professional photographer as well as for the amateur and casual enthusiast. Now these digital cameras are hitting the streets—along with all those other cameras from earlier this year—and choosing a camera that’s best for you may be even more confusing … without some help. Here’s the help: a look at the best nonprofessional cameras available today and what makes them stand out.

Covering all the new cameras could take up a whole magazine, so what follows is a sampling of the best. The models are grouped as: Amateur SLR (single lens reflex), Extreme Zooms, Compacts and Ultra-Compacts. Selection criteria were quality of image, professional control, maximum optical zoom, image resolution, and body size and unique features.

Smarter than ever
Intelligent systems are popping up everywhere. Fujifilm may have outdone the competition here with its intelligent i-Flash, smart image stabilization that automatically adjusts ISO and shutter speed for the least grain in low-light shooting, and a face recognition system that tracks and optimizes subjects’ faces automatically. Canon uses scene-recognition intelligence to compare current scenes to an internal database for faster focus speed and accuracy. And while Canon’s Face Detection AF/AE system is not quite as robust as Fujifilm’s newest offering, it does manage to find faces and keep them in focus no matter where they are on the frame.

AMATEUR SLRS
The Amateur SLR camera is distinguished from other nonprofessional cameras by its interchangeable lenses and enough shooting control to please the most serious amateur photographer. Costing thousands less than top-of-the-line professional SLRs (usually less than $1000), the newest 10- megapixel Amateur SLRs offer many of the same features as their big brothers. Available in bodyonly or body-plus-lens kits with a wide selection of matched lenses and external flash options, these cameras produce stunning photos in JPEG and Raw format. While Nikon’s name recognition still carries a lot of weight, it is Canon’s attention to details, crisp imaging and superior customer support that have captured the hearts of many amateurs today.

But the field is growing. In fact, almost all the major manufacturers have announced their own under-$1000 10-megapixel SLRs in recent weeks. In addition to Canon, Sony, Pentax and Nikon covered here, the compact Olympus E-400 and Samsung GX-10 SLRs will be introduced in time for the holidays.

Here’s a tip: If you decide to purchase one of these new SLRs, include a good matched external auto flash to bring out the best in your camera.

1. Canon Digital Rebel XTi
Smart pricing and rapid product introductions have kept the Digital Rebel at the top of this list. The newest Rebel XTi came out in September with impressive numbers and lots of improvements over the previous model, most noticeably a larger 2.5-in. LCD and smart dust removal system that vibrates its low-pass filter. If this fails, an in-camera application can remove persistent dust via software. A sensor under the viewfinder automatically disables the LCD when your eye is detected. As with all Digital Rebels, there is no image stabilization system unless you purchase an expensive image-stabilization lens.

Introduced in July, the A100 was the first Amateur SLR with image stabilization. The A100 touts an anti-dust sensor vibration system and takes Minolta A-type bayonet mount lenses (Maxxum or Dynax) in addition to 19 new Sony Alpha lenses.

Announced before Photokina for November release, the K10D takes image stabilization to the next level with permanent magnets that shift the CCD to compensate for camera movement or vibrate to remove dust. Exceptional sealing of body components gives the K10D dust and splash resistance. With a number of unique features like in-camera processing of Raw to JPEG and a genuinely userfriendly set of controls, the K10D stands out while its unique image stabilization allows for backward compatibility to standard Pentax lenses.

4. Nikon D80
Priced higher than other Amateur SLRs, Nikon’s September release of the 10.2-megapixel D80 is sure to please diehard Nikon fans. Even though the D80 has neither image stabilization nor an anti-dust system, it does have a large collection of proven digital lenses and smart flashes to enhance any system. And with its solid feel and professional controls, the D80 will be on many a wish list. The D80’s image processor fixes earlier issues with soft images but still does not do as good a job as the Canon Rebel XTi with low-light noise.

EXTREME ZOOMS
A few cameras offer extremely long optical zooming in addition to the standard set of features. These cameras are ideal for sporting events and nature photography, but require a tripod for best results when shooting telephoto.

5. Canon PowerShot S3 IS
With a 6-megapixel CCD, the PowerShot 3S IS boasts a huge 12X optical zoom (36–480mm equivalent) driven by the same quiet UltraSonic motor found in the professional Canon EF lenses. Optical image stabilization combined with superior lens optics yields sharp, accurate images even at full telephoto range. Shooting modes include full auto, nine programs, custom and full manual modes in addition to eight scene modes, giving the PowerShot S3 IS plenty of flexibility. The S3 IS has no hot shoe for an external flash and does not capture Raw format. Tele-converter and wide-converter lens adapters are available.

6. Fujifilm FinePix S9100
The 9-megapixel CCD FinePix S9100 uses intelligence combined with a 10.7X optical zoom (28–300mm equiv.) and professional features like Raw imaging and an external flash hot shoe to make this a powerhouse. i-Flash analyzes the scene and adjusts flash intensity for best results. Real Photo technology automatically adjusts shutter speed and exposure for sharper images in natural light. The S9100 accepts both xD-Picture cards and 9MB/s CompactFlash II memory. Tele- and wide-angle conversion lenses are available.

7. Kodak EasyShare Z710
The Z710 lens is the main feature of Kodak’s valueoriented $300 entry into this category. It works in a big way with its excellent Schneider Kreuznach Variogon 10X optical zoom lens (35–175mm equiv.). While the Z710 lacks image stabilization, it does offer a large selection of 17 scene modes and five color modes with full manual mode control.

COMPACTS
The newest round of compact and ultra-compact cameras are smaller and loaded with more scene presets than ever, even as their megapixel sizes grow. These cameras are not only shooting larger images, they are getting smarter; Canon and Fujifilm seem to have the pulse of this growing segment.

8. Canon PowerShot G7
This is possibly the most powerful little camera available today. The PowerShot G7 nearly has it all … if only it captured Raw images! Canon gave the G7 a large 10-megapixel CCD image sensor, a 6X optical zoom and image stabilization. Its intelligent facial recognition system recognizes up to nine subjects and keeps them perfectly focused no matter where they are on the frame. Its hot shoe accepts Speedlites, and optional tele-converter and wideangle conversion lenses are available.

9. Fujifilm FinePix F31fd
The “fd” stands for face detection technology, a selectable option that identifies the primary subject with a green box and up to nine other subjects in white boxes, then locks on and optimizes facial quality regardless of the subjects’ position in the frame. The F31fd also uses intelligent scene analysis for its i-Flash and Real Photo technology to boost quality of low-light photos even at full resolution.

10. Samsung NV10
Sporting a stylish super-thin black aluminum body, the NV10 employs an Advanced Shake Reduction (ASR) image stabilization system and a superb Schneider Kreuznach lens. Offering a full range of automatic, program and manual modes, the NV10 packs a lot of punch in its small package. As with most smaller point-and-shoots, the NV10 does not do well in low-light shooting.

11. Canon PowerShot SD900 (Digital ELPH)
The SD900 is encased in a tough titanium shell and includes the same Face Detection AF/AE system as its big brother, the PowerShot G7 … but the SD900 does not offer the flexibility of custom or manual modes like the G7. The SD900 is about the size of a deck of playing cards.

ULTRA-COMPACTS WITH BIG LCD SCREENS

12. Sony Cybershot DSC-T50
This credit card-sized subcompact has a massive 3-in. touchscreen LCD that doubles as the user interface. Boasting Sony’s famous Super SteadyShot optical image stabilization, the T50 has nine scene and four color modes and is available in black, red and silver. A clever additional zoom handle sticks out of its side.

13. Fujifilm FinePix V10
The FinePix V10’s large 3-in. LCD screen consumes the back of this tiny camera, but it’s Fujifilm’s intelligent Real Photo technology that really distinguishes this tiny camera from others with its exceptional low-light capabilities. No optical viewfinder … but the smart LCD screen auto-adjusts to ambient light conditions.

ULTRA-COMPACTS WITH A TWIST

14. Kodak EasyShare V570
This unusual-looking tiny camera has a CCD sensor for each of its two lenses—an ultra-wide angle 23mm fixed lens and a 3X optical zoom. The V570 has a rugged metal case and ships with its own docking station. In panoramic mode the V570 stitches three consecutive images together in-camera to produce a panorama encompassing up to 180 degrees. The V570 has a built-in distortion compensation option for super wide angle shots and a blur detection warning in playback that alerts you to problem images so you can delete and reshoot on the spot—way cool! The V570 has no full manual mode but with more than 20 scene presets, it will handle most shooting conditions. Image quality is not spectacular, but the V570 is a unique camera in an ultra-compact package.

15. Canon PowerShot SD40 (Digital ELPH)
Fashion meets function in this itsy-bitsy ELPH. Available in sepia, gray, pink or blue stainless steel, the PowerShot SD40 is primed for action and includes its own dock with wireless remote. Loaded with 17 shooting modes and the intelligent Canon Face Detection system for best focus and exposure, the SD40 even permits some manual exposure options. This one is so tiny, you’ll want to wear it around your neck.

About the author
Roger Hunsicker is president of Proof Positive Design Group offering traditional advertising services, and ieAccess.com offering web development and web hosting services.
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