Dynamic Graphics+Create Magazine
HOME   |   MAKEOVERS  |   ARCHIVE  |   EDUCATION  |   JOBS  |   ADVERTISE
Topics
Tutorials
Create a halftone border in Photoshop.
Add a halftone drop shadow using Photoshop.
Print
7 Ways To Improve Direct Mail Response
Effectively addressing these seven success factors will improve your odds of success in any direct mail campaign. 

by Sheree Clark
December/January 2007
The first recorded example of direct advertising reputedly is from about 1000 B.C., when an Egyptian landowner wrote an advertisement for the return of a runaway slave on a piece of papyrus. More recently: On July 26, 1775—while the United States was still a colony—the job of U.S. postmaster general was created and the position given to Benjamin Franklin.

The communications world has changed radically since colonial times, especially since 1971, when the Post Office Department became the United States Postal Service. But widely held predictions of the demise of the printed word and of direct mail as an effective promotional medium have not turned out to be accurate. Direct marketing—specifically direct mail campaigns—are still important ingredients in an effective marketing mix. The reason has to do with the many benefits afforded by this tried-andtrue medium, especially because direct mail is: Targeted. It allows the advertiser to focus on a very specific audience.

Personal. Direct mail can address recipients by name; messages can be tailored specifically for them. Flexible. Mailings can be sent in a variety of formats, such as letters, postcards, brochures and even in 3-D containers that can accommodate product samples or specialty items.

Tangible. Recipients can touch and interact with a mail piece. It can be kept, displayed, shared, circulated and referred to as often as needed. Deliverable. Mail that is sent to a person who is no longer at a particular company or home address is often passed along to a replacement or current occupant.

Refinable. Various components of direct mail can be segmented and tested to find the best list, offer, creative, timing, etc., and the winning combinations can be rolled out to a wider audience for optimal results.

Measurable. The results of a direct mail campaign can easily be tracked by counting the responses or inquiries it generates.

Cost effective. Because it can be targeted and the waste rate is generally easy to manage, direct mail can make advertising dollars go further.


Pictogram Studio: Little Red Boxes
This series of selfpromotional mailings for Pictogram Studio turns a potential negative attribute (“we’re small”) into a positive (“we make you feel important”). The point is underscored by the use of miniature specialty items and clever copy. The designers sought a fun and casual approach to promoting themselves that would also allow for a long shelf life—the pieces are not dated or trendy. In addition to a high rate of return, the innovative little mailers have generated media attention for the Maryland firm.

Repetition & consistency
The advantages of a single mail piece can be compounded when the mailing is expanded into a series of mailers or a direct mail campaign. Multiple mailers allow a message to be reinforced or a series of related ideas to be presented; a campaign allows the advertiser to use a cumulative approach to selling. Alternately, sending multiple, single-topic mailers can be a means of promoting an array of products or services, one at a time.

A key element of successful direct mail campaigns is repetition, and it is important that the designer be sensitive to the value in leveraging a company’s identity or brand. Generally speaking, logos and tag lines should be displayed consistently among mailers, and other ways of achieving continuity— such as font and color use—ought to be considered as well. Although it is important to be consistent, care should be taken to avoid being boring or predictable within a campaign.

7 success factors
The strategy used in putting together a direct mail campaign can be as important to its success as the design and copy. Details such as the number of pieces in a series, the range and variety of shapes or sizes of the components, the lag time between successive mailers—all of these and more factor in to the response rate. Here are seven success factors that, when properly addressed, will increase direct mail response rates:

1. How many? While there is no set rule for the number of pieces that constitute a good campaign, two or three mailers seems to be a reasonable amount for a short-term program. Some products—such as high-ticket items or goods with a long sales cycle—may lend themselves to a more extended schedule, such as a year-long monthly mailing. Remember that a campaign may only be as strong as its weakest component, so if adding one more mail piece to a series feels like a stretch—or the concept just isn’t flowing—you may have already found the optimal number of pieces.


Greteman Group: Abode Home postcards
Greteman Group developed a brand identity and this simple but effective postcard series for Abode Home. The design firm’s clever mailings reinforce the retail home furnishing store’s tagline: “Eclectic furnishings for self-expression.” The series of postcards launched with the store’s October grand opening announcement and concluded just prior to Christmas. Each of the mailers includes a specific offer, driving consumers to the store and requiring the postcard to be brought in. This generated sales and data the retailer could then use for future promotions.

2. How often? The timing of the arrival of each mailer is probably as important as mailing frequency. In general you will want to space mail drops to be close enough together that preceding mailers will be recalled by the recipient, but not so concentrated or clustered as to become annoying or seem overly extravagant or anxious. In instances where the objective of a campaign is to quickly generate excitement and attention, a succession of mailers sent within a short time frame can be effective. If the mailers are for items or services that are seasonal, clustering during a particular time frame often makes sense. The cost of postage is typically a consideration in determining how often mailings are sent; while first class postage costs more than standard mail, it also takes less time to deliver to recipients, which can impact a project’s timeline.

3. In what order? For some products, a “buildup” approach works best. This may mean messages accumulate to reinforce each other and lead the recipient to a desired action or conclusion. A buildup method might also mean that the campaign itself is designed to crescendo at its conclusion. For example, in a three-part mailing, an initial, simple postcard may be followed by a more elaborate pop-up piece and conclude with an interesting box mailer. This tactic creates anticipation and can generate a spike in response rates as the program moves forward. For other campaigns, a reverse order might make sense, where an especially striking or innovative mailer is sent first and is followed by pieces that serve as reminders or as a means of extending the interplay between the sender and the recipient.

4. Flat or 3-D? The type of mailers deployed in a campaign will be driven in many cases by budget. Three-dimensional mailers and those that feature a lot of special effects can cost more than a simple postcard or flat mailing, but dimensional mailers frequently yield greater results. One consideration in deciding whether to choose a 3-D design format is the target audience. In a typical business setting, some ordinary envelopes might not make it past a secretary, but when a package arrives it could receive special treatment, granting it a greater likelihood to reach a decision maker.


Greteman Group: Rockwell Collins NBAA series
The National Business Aviation Association’s (NBAA) annual convention is where business aircraft products and technology are introduced. Rockwell Collins delivers highly specialized avionics to airframe manufacturers and sought a way to generate interest and drive traffic to its convention booth. For several years, Greteman Group has developed Rockwell’s NBAA show invitations. Each features an unusual diecut, creating a sort of shadowbox effect. Recipients enjoy the unique mailings, which have a consistent graphic look, color palette and paper stock.

5. How much variety? This too can be a decision that is influenced by budget. A good campaign can be built using a variety of mailer shapes and sizes but is sometimes expensive since print economies—such as printing the program on one run—might not be possible. On the other hand, an effective campaign can be created out of nothing more than a simple series of clever postcard mailers, as evidenced by some examples shown in this article. Some very effective campaigns have also included a multimedia approach: for example, a mailing that drives the recipient to a website or is followed up with an e-mail.

6. Which response mechanisms? Depending on the objective of the mailers, the inclusion of a response device can alternately be unnecessary, a good idea or absolutely essential. If the sender does not want or need to engage in an exchange with the recipient—for example, with a campaign whose only objective is awareness—no sender contact information would be incorporated. On the other hand, multiple response mechanisms are vital in instances such as catalog sales campaigns. In these situations, providing the options of telephone, fax, e-mail, business reply and web contact info is not just logical, it’s crucial.


OrangeSeed Design: PyGanic mailers
Seeking to promote its products to customers and distributors, MGK—a manufacturer of insecticides for organic farmers— commissioned OrangeSeed Design to develop a series of flat mailers: postcards with a twist. Each mailer opens to provide additional space for product information as well as a reply mechanism: Respondents were entered into a drawing to win a pH tester. Subtle differences in color identify individual products, but design and content are treated consistently on all pieces. The flat configuration kept both production and postage costs down.

7. What about a teaser? Some effective mail campaigns have been built around giving incomplete information or only parts of a message initially. Others work by sending half of a gift—such as one glove or a single bookend—with a message indicating that the missing component will be sent in exchange for the recipient completing a certain action. Care should be taken when using this approach to avoid irritating or annoying the prospect.


Sayles Graphic Design: Principal Financial Group MP3 campaign
Financial services provider Principal Financial Group commissioned Sayles Graphic Design to create this series of mailers to promote a new product to brokers. The business- to-business campaign used the theme “MP3” because the provider promised “More Partners, More Products and More Performance” via a web-based delivery program. In keeping with the clever music-oriented theme, Sayles’ first mailer featured a vintage radio on the cover and the headline “A Sound Future.” Inside was a small brochure with a photo of an MP3 player on the cover. When the brochure is opened, a sound chip is activated and an announcer outlines the programs’ benefits. Sayles developed a funky pattern—designed to suggest audio waves— to complement the message; the pattern was used as a visual continuity device throughout the campaign. To reinforce the web-based aspect of the program, a second mailer included a mouse pad printed with graphics reminiscent of the initial mailing. A final piece was sent to brokers who signed on for the program. It included sales literature and an MP3 T-shirt. The shipping box was emblazoned with the audio wave graphics as well.

SIDEBAR: Getting a Stamp of Approval
Different mailing requirements are in effect for different classes of mail. Check with the U.S. Postal Service to see which regulations apply to your mail pieces based on the class you’re planning to use in your mailing.

  • Have prototype mailers approved by the post office’s Mailing Requirements department before you print.
  • The size, shape, weight, direction of folds and placement of colors on the mail piece will determine postal costs. If your final mailer changes from the initial concept, you—or your client— could end up spending more than planned on postage.
  • If you’ll be working with the actual mail drop yourself, you’ll want to know that proper addressing allows mail to be processed quickly and more efficiently. Destination addresses should be in uppercase letters, include no punctuation and be formatted with a uniform left margin. The last line of the address should include only the city, state and ZIP code.
  • It is recommended that the sender’s name and address, including ZIP code and country of origin, be shown in the upper left corner of the address side on all mail. This ensures that an undeliverable item can be returned to the sender.
All U.S. mail must meet these standards:
Thickness—Not less than 0.007 in. thick. Pieces that are ¼ in. thick or less must be at least 3-½ in. high, 5 in. long and rectangular in shape. Combined length and girth—Not more than 108 in. Parcel Post may not exceed 130 in.
Weight—Not more than 70 lbs.
Postcard Rate Dimensions:
Minimum: 3-½ in. high by 5 in. long by 0.007 in. thick.
Maximum: 4-¼ in. high by 6 in. long by 0.016 in. thick.

Recommended resources
Successful Direct Marketing Methods, Seventh Edition, by Bob Stone and Ron Jacobs, $59.95, McGraw-Hill

The Complete Guide to Direct Marketing: Creating Breakthrough Programs That Really Work, by Chet Meisner, $24.95, Kaplan Business

Direct Marketing: Strategy, Planning, Execution, by Edward L. Nash, $59.95, McGraw-Hill

Response: The Complete Guide to Profitable Direct Marketing, by Lois K. Geller, $35, Oxford University Press USA, www.amazon.com

http://www.usps.com/directmail—These web pages, sponsored by the U.S. Postal Service, are devoted to direct mail and include vital information and tips for direct marketers.

About the author
Sheree Clark is managing partner of Sayles Graphic Design in Des Moines, Iowa; an author and speaker on organizational and business issues; and owner of Art/Smart Consulting, which provides selfpromotion and business strategies to creative professionals.
Events & Courses

WebMediaBrands
mediabistro learnnetwork freelanceconnect SemanticWeb
Jobs | Events | News
Copyright 2009 WebMediaBrands Inc. All rights reserved.
Advertise | Terms of Use | Privacy Policy