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Management
Supervising Others (Part 2 of 2)
An additional 20+ tips for the newly promoted—stepping up as your friends’ new boss and ensuring your new team’s worth. 

by Sheree Clark
June/July 2007
Q: I appreciate your advice about coaching and working one-on-one with people who report to me. But what do I do when some of the people I manage are my friends outside of work? And how do I get my boss to value me as well as my team? It seems like there’s more to this than just managing the people who report to me.

In the last issue our ad hoc group of seasoned supervisors gave some constructive advice to help you get on your feet as “the new boss.” These people—representing both outside agencies and in-house departments in publishing, advertising and design—did not always agree with each other on how to handle certain situations.

Relationships at work can be a particularly sticky topic, and the “best” way to handle such circumstances will be affected by your work environment and your own personal style and comfort level. (For additional insight on the topic, see “Office Entanglements,” Dynamic Graphics, V11N1, p. 16).

Our group of experts agrees your new role means you probably already have what it takes to be a leader, and if you go into the situation with things like good intentions, pure motives, self-confidence and humility, you’ll do just fine. Meanwhile, here are a few things to keep in mind:

BALANCING PERSONAL AND PROFESSIONAL
Be friendly, but be a boss.

Go to lunch or have coffee with employees every so often, so you can visit in a casual atmosphere.

Do not become too personal with those who report to you.

Foster a warm, supportive environment, but watch out for favoritism or a personal relationship that could impact your working relationship.

It is vitally important to be fair and just to every team member equally, regardless of the relationship or friendship you may enjoy with individuals outside the office environment.

Keep feelings and projects in two different “baskets,” but know that both need managing. To find out which basket you’re in, ask yourself: What’s the objective? If it’s about the font size, it’s about the project. If it’s about keeping someone happy, you’re in the other basket. Deal with feelings separately, in separate conversations.

Beware of personal relationships that could give the appearance of romantic liaisons. People will automatically assume that “something is going on,” whether it is or isn’t true.

If you choose to have friendships outside the office with some of your underlings (or even your own peers), it is really important that you don’t cross the line with sensitive topics. Don’t share confidences or privileged information. If you find yourself saying, “I shouldn’t be sharing this,” stop yourself and don’t divulge the information.

If you are in a position of being able to promote (or terminate) others, make sure you are absolutely fair and impartial. This means not penalizing or favoring people you have a friendship with. Beware of the tendency to be such a hardworking boss that you sacrifice your own life balance. If you’re stressed out from doing too much or spreading yourself too thin, you won’t be available to your team when they really need you.

Keep your private life private. Drama doesn’t belong at work.

THE BOSSES’ BOSS
Remember, your performance will be affected by the performance of your team. Your new job includes getting them to stay productive and, of course, highly creative. See the team as your biggest asset. You will be judged by how well the team can perform; it’s worth investing some of your time to ensure the team’s strength and success.

As a new boss, you’ll understandably want to jump right in and impress your boss. New ideas and processes are good, just don’t turn your department upside down doing things your way. Implement change slowly. Let your team get to know you and trust you before you make new rules.

Always run any suggestions for major changes by your boss. It would be embarrassing to implement radical, creative ideas for running your department, only to have your boss veto all your ideas.

Be strong. Don’t leave the door open for others to assume your role. Provide positive support and solid decisions to your staff so they view you as their leader.

Recognize warning signs: For example, if your boss gets bad news about your department before you do, it could be a sign that you have a serious communication problem. Either people are not giving you the unvarnished truth or you are not asking the right questions.

If you are lucky enough to have a boss who is a good supervisor, ask him specifically for coaching help and advice about dealing with your subordinates. Not only will you gain valuable insight and information, you will endear yourself to your supervisor for acknowledging his strengths.

WWMDD?
And finally, Abe Goldstein, creative director at Trilix in Des Moines, Iowa—who is also a jazz music aficionado—had this insight about managing a creative group: Want to be a great leader?

Just ask yourself WWMDD (What would Miles Davis do)? If you want to inspire creativity in your team, think like a jazz combo leader. Know how to mix and match personnel, allow them to think on their own, mentor them and create something meaningful. So, WWMDD?

1. Establish a vision and provide staff members with the freedom to make any responsible decision to achieve that goal. In other words, let your people know the tune, rhythm and harmony and then let them loose.

2. Encourage people to listen closely to the ideas of others and build on those thoughts. That’s what a great jazz soloist does.

3. Remember not everyone is a soloist. A good team requires a solid rhythm section to provide support.

4. Allow your players their time in the spotlight. Miles Davis used to walk off the stage when other musicians took their solos.

5. Keep changing the “tune” from time to time to keep ideas fresh and attract the right people. Miles moved from bebop to cool to modal to fusion, and stimulated the creativity of a new breed of players.

6. Recognize a bad fit and make changes when needed. People who are in a position that does not suit them become bad employees; the sooner they can be redirected, the better. If there is no appropriate position available, do everyone a favor and allow that person the opportunity to find a better gig.

7. Control impulsive behavior. Good managers don’t become emotional; they solve problems and strengthen the team in the process. You never saw Miles lose his cool.

So now that you know what it takes to be a leader/supervisor, start swinging.

SIDEBARS:

Recommended resources
I Wish You Would Just …, by Todd McDonald & Kyndra Wilson, The Walk The Talk Company, $9.95, www.walkthetalk.com

Secrets of Effective Leadership: a Practical Guide to Success, by Fred Manske, ATW Training, $24.95, www.leadershipdevelopment.com

Supervising and Managing People, by Affinity Communications, McGraw-Hill, $16.55, www.amazon.com

The ABC’s of Motivational Supervision: A Practical Workbook, by Tom Shanahan, iUniverse, $21.95, www.iuniverse.com/bookstore/

You Can’t Do It All: Effective Delegation for Supervisors, by Jeanne Baer & Karen Miller, American Media Publishing, $35.42, www.amazon.com

If You Want It Done Right, You Don’t Have To Do It Yourself, by Donna Genett, Quill Driver Books, $13.75, www.quilldriverbooks.com

Coming Up
Learn how to control presentation nerves and make them work for you.

About the author
Sheree Clark is managing partner of Sayles Graphic Design in Des Moines, Iowa; an author and speaker on organizational and business issues; and owner of Art/Smart Consulting, which provides selfpromotion and business strategies to creative professionals.
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