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Identity
Branding Builds Character
Personas can lend iconic status to a brand; learn the six keys to successful character building. 

by Sheree Clark
September 2007
Spuds MacKenzie, Mr. Whipple, Joe Isuzu, the California Raisins … the list of images, people or creatures that have been used successfully in advertising is a long one. We love them (or love to hate them), we mimic them, but most of all, we believe them—or we wouldn’t buy their wares. Certain characters—the ones we remember from childhood—have a way of defining the era we grew up in, just as our remembrance of them reveals our age. While Baby Boomers will likely recall the Ajax White Knight, Speedy Alka-Seltzer and Mr. ZIP, their offspring grew up with ties to Frank Bartles and Ed Jaymes, McGruff the Crime Dog and Vince and Larry (the crash-test dummies).

Lots of emotions and memories are wrapped up around a large pool of product-hawking personas. But there is an elite tier of personage—the platinum members of the brand character crowd—that have outlived, outranked and outsold even the luggage-mauling American Tourister gorilla. These are the notable mascots, characters and icons that have, in some way, become the brand itself. Their personalities are memorable, effective and timeless, and numbering in their ranks are the likes of Aunt Jemima, the Pillsbury Doughboy, Elsie the Cow, the Morton Salt Girl and others.


Brad Norr Design: JobDig
JobDig is an employment media company whose products include a free weekly jobs newspaper, a jobs/content website, job-related books, articles, videos and more. Brad Norr Design created the “everydog” that can be tailored to a specific job or event. The dog appears in newspaper ads and in collateral, such as pocket folders and posters. The light persona of the cartoon dog was deliberate, as he was intended to represent a sort of “everyperson” looking for a job. The brand voice is playful, irreverent, tongue-in-cheek— the idea being that the dog empathizes with job seekers.

Brad Norr explains, “The JobDig brand is very liquid: The vocabulary consists of the Helvetica logotype in red and blue, the orange dog and usually some sort of screened-back texture background. The dog takes on any characteristic we want—whether a specific job, event, holiday or satirical homage. We’ve created everything from an Elvis dog, to a pilgrim dog, to a Reservoir dog. We expect him to have a long life.”

WHAT MAKES THEM WORK?
While characters whose vocations revolve around pushing cigarettes or liquor are different animals from those endorsing breakfast cereal, some common denominators exist among the longest-lived brand personas. Although your next project may not be for a major player like the examples cited here, just thinking about your own experiences with brand mascots puts you in a better position to make good recommendations. So, let’s take a trip down Memory Lane and review what exact factors have made certain brand personalities last so long.

They are identifiable and custom.
Each successful brand character has something to make them distinguishable from the sea of product- icon wannabes. In the case of illustrated or animated characters, they might have been developed in a unique style. If the character has a voice, it is typically memorable and identifiable. If movement is part of the character’s repertoire, more than likely the range of possible motion will be tailor-made and well-thought-out. All of these elements become part of the brand identification, just as consistent color and font usage combine to create a memorable corporate identity. The GEICO Gecko is a present-day popular icon that exemplifies the characteristics of a highly identifiable character.

They are appropriate.
While a goofy cartoon character can aptly sell snack cakes and cookies, a similar approach would not be as effective in the luxury auto category. Many brands have appropriately adopted no-brainer mascots—like Borden’s Elsie the Cow for dairy products—while other goods such as Energizer batteries take a seemingly unrelated image—the Energizer Bunny—and make it work. In nearly all instances, the successful mascot or character is carefully crafted, so as not to conjure up offensive images of the brand or its category.

They are timeless.
It is important not to confuse “timeless” with “never-changing.” Indeed, many successful icons have developed or been updated over time. Some characters—like the Jolly Green Giant and Betty Crocker—have been around for more than 50 years, with each evolving to fit the times. Betty has had no fewer than eight facelifts, while the Giant adopted his sidekick Little Sprout in 1973. Even the Ad Council’s Smokey Bear has modified his original (1947) message “Only You Can Prevent Forest Fires” to “Only You Can Prevent Wildfires.” When developing a new brand spokesperson or mascot, avoid being too trendy or potentially dated—unless continual evolution is part of the brand strategy.


Brad Norr Design: Smashgolf
Smashgolf is a golf brand developed to appeal to a group of golfers somewhere between the country club and Gen-X/extreme sports demographics. It includes a line of clothing, accessories and products bearing this brand, as well as a web portal that not only sells the branded products, but also links to other lifestyle sites and information. The brand strategy is to position Smashgolf as edgy, but not anarchic.

Brad Norr Design came up with the name Smashgolf, and created the logo character based on the “love it/hate it” dichotomy of golf. Although there are some print applications for Smashgolf, the majority of interface with the public is through the internet. The main goal is to have fun with the average obsessed golfer, and to create an identity that the (predominantly male) audience could identify with.

They are engaging.
In the 1970s, many of us watched Hawaiian Punch’s mascot Punchy deliver his long-time catchphrase “How about a nice Hawaiian Punch?” which would then be followed by Punchy literally punching his unsuspecting cohort. Despite being subsequently dropped from television ads after pressure from parents, research in the late 1990s found that teenagers “remembered” the first version of the character and his signature line—even though both had disappeared from television before they were born. Obviously, Punchy was a valuable brand asset. Although he’s still the brand’s mascot, Punchy has abandoned his violent tendencies. Lesson learned: A great mascot/character is a knockout!

They keep it simple.
Tony the Tiger pronounces his Frosted Flakes are “Grrreat!” the same way every time. The Maytag Repairman is predictably sullen—and lonely. The Coppertone Girl will never grow up—although the image has been frequently parodied, often using older female models duplicating the pose. While characters can successfully display depth of character, they are not overly complex or multifaceted. Their mission is simple: Sell the product.

They evoke emotion.
I don’t know about you, but I trust the Dutch Boy to sell good paint, just as surely as the Gerber Baby wouldn’t let anyone buy tainted baby food. The number of enduring items featuring a brand’s mascot proves an emotional connection to the brand exists. On the day I made final edits to this article, there were 393 items for sale on eBay under the category “Mr. Peanut,” and I found two websites dedicated to Reddy Kilowatt history and memorabilia: Both of these advertising characters made their debuts in the WWI era.

If there was a simple formula for the creation of memorable and durable characters, there would be a lot more of them in the branding world. With some foresight—and a little luck—maybe your next brand mascot will keep going and going and …


National Federation of Coffee Growers of Colombia
The Juan Valdez® character was created in 1959 by the National Federation of Coffee Growers of Colombia. Juan was developed to teach consumers about Colombian coffee—how it is grown and harvested in order to get the perfect cup. As the character evolved, the campaign became more humorous and showed situations of extreme demand for Colombian coffee. However, the character maintained its authentic and humble nature—regardless of the situation he found himself in.

In 1982, the Federation introduced the Juan Valdez logo. The logo proved to be efficient in helping shoppers identify 100-percent Colombian coffee brands. In 2002 the Federation launched the Juan Valdez coffee shops. A new brand application was designed to identify the coffee shops and other products that derived from them. The identity includes Juan’s signature—to symbolize his personal endorsement.

In the spirit of maintaining the character’s authenticity, the role of Juan Valdez traditionally has been played by one actor. This strategy has been shared by other marketers, including Maytag’s “Ol’ Lonely” Repairman.


Rule29: Mr. Cato
Mr. Cato is a character created for O’Neil Printing. The character has become part of the corporate culture, and his presence is currently being expanded to appear on company trucks and several other visible places.

In describing the introduction of Mr. Cato, Justin Ahrens of Rule29 explains, “To pull off giving Mr. Cato a multidimensional presence, we created a team of collaborators—which included O’Neil Printing, Neenah Paper, iV Music Group and MacDonald Photography. As a result, the character evolved into more of a brand agent than he might have otherwise.”

SIDEBARS:

Recommended resources
Meet Mr. Product: The Art of the Advertising Character, by Warren Dotz & Masud Husain, $16.95, Chronicle Books, www.chroniclebooks.com

Advertising and Promotion: Communicating Brands, by Chris Hackley, $48.95, Sage Publications, www.sagepub.com

Creating Unforgettable Characters, by Linda Seger, $15.00, Owl Books, www.owlbooks.com

Designing Brand Identity: A Complete Guide to Creating, Building, and Maintaining Strong Brands, by Alina Wheeler, $45.00, Wiley, www.wiley.com

What a Character!: 20th Century American Advertising Icons, by Warren Dotz, Jim Morton and John William Lund, $16.95, Chronicle Books, www.chroniclebooks.com

Excellence in Advertising, Second Edition, by Leslie Butterfield, $44.95, Butterworth- Heinemann, www.amazon.com

About the author
Sheree Clark is managing partner of Sayles Graphic Design in Des Moines, Iowa; an author and speaker on organizational and business issues; and owner of Art/Smart Consulting, which provides selfpromotion and business strategies to creative professionals.
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