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Factors Driving Color Trends
A look at popular color trends and the influences that drive them, as well as how these trends can all work together to form original and unexpected end products 

by Jeff Fox
October 2008
Have you ever taken the time to truly examine the colors that surround your everyday life? Whether you are a city dweller encompassed by the bright, electric shades of street lights, billboards and storefronts or prefer the quiet company of the muted palettes of nature, color is a constant component defining the environment in which you live. While the outdoor enthusiast may not enjoy the same hobbies as the savvy city shopper, the colors both see can work together to form interesting, aesthetic design pieces.

Color has always been an essential characteristic of design, and traditionally the most popular colors have been influenced by central movements happening in the world around us. The primary factors affecting recent color palettes have included the green movement, cultural influences and technology.

EYE ON THE ENVIRONMENT
No doubt about it, now is the time to “go green.” With the environmental movement receiving a lot of attention and momentum, it will continue to have an impact on design. The strengthening of the greening concept and environmental sustainability has influenced the use of natural tones. Colors in nature form muted palettes of grays, browns and whites. In addition, a natural palette includes warm basics like the colors of sea grass and rattan. Shades of khaki, moss and thyme are perfect examples of just how beautiful these simple shades can be.

While the eco-driven marketplace will be interested in earth-toned palettes for projects, it is important to note that clients will also be looking at the project’s sustainability. With print pieces, for example, audiences now pay attention to a paper’s construction, the percentage of post-consumer waste content and any independent environmental certifications. A paper’s composition and the manufacturing processes that were employed to produce the project are important steps in achieving authentic, sustainable design.

Muted colors paired with a bright, vivid red or deep magenta create intensity by drawing upon the fierce contrast of the two palettes. Bright colors seem brighter in combination with the nature-inspired lighter, softer shades.

Tip: Try a four-color process with the combination of bright green, yellow, red and blue against gray stock—the colors will stand out, creating an exotic and vibrant end product.

IT’S A SMALL WORLD
Just as we are driven by environmental factors in our own surroundings, we’re finding motivation from other countries and cultures too. Color palettes are taking on much more of an international flair. The 2008 Summer Olympics in Beijing, China, have influenced Western color and fashion, as well as design—providing color palettes with deep reds and greens. In addition, as designers take a more worldly view—drawing inspiration from Latin America, and ethnic influences from India and Asia—we are seeing prominent reds, oranges and golds become popular choices.

Tip: A strong red paper paired with black, gold or green can create a piercing effect, with the combination of these deep colors jumping off the page. Because these colors are typically darker, use them to convey mystery and complexity.

TECHNOLOGY AT HAND
Lastly, technology continues to have an immense influence on developing color trends. Digital cameras, iPods, DVDs and cellular phones have all played a role in defining this year’s popular colors. Palettes include tones with intensity; think bright, vivid and futuristic hot pinks, silvers and purples. Metallic and pearlescent finishes have also become increasingly popular. The use of metallic papers and inks conveys sophistication by utilizing conceptual, futuristic patterns to achieve the monochromatic, high-tech look and feel.

Tip: Whatever color paper you select, it is generally a good idea to give it two hits of opaque white as a base for the process printing or solid ink coverage.

TRENDY COMBINATIONS
The decisions designers make about color, paper and process at the start of a project determine how the finished product will be perceived. Much as the use of technologically inspired papers can represent strength and sleekness, each color trend discussed here can be used in different ways to achieve the desired effect of a design piece.

For instance, if you want to communicate an organic, hand-crafted appearance, combine natural elements to create a contemporary yet approachable look and feel. If practicality and classic simplicity are the words used to define your piece, using the blue-and-gray palettes inspired by the sky and quarried stone will create a traditional, old-world finish. Bright, high-energy shades of color create an unconventional, fresh look to reflect a youthful and positive approach. Combining abstract images with strong, vibrant colors will illustrate the sense of optimism and renewal the piece is meant to express.

MY BLUE HEAVEN
The Pantone color of the year, Blue Iris, has had designers experimenting with unique ways to incorporate this calming, blue-purple shade in their projects. While the obvious choice when using Blue Iris in your design may be a white coated or uncoated grade, using a color paper will achieve unusual and surprising results.

Many designers shy away from color papers, afraid of the end quality or finding difficulty in selecting the correct image. In actuality, color papers can open up a whole new realm of design possibilities. Color paper can provide a different look, feel or point of view that may not have been captured if using white paper—using color paper adds a whole new element to the final result.

You can, for example, create a dramatic effect with the bold blue against a shimmering yellow stock. A pearlescent sheet transfers a beautiful shimmer to the inks by representing both warm and cool colors, bringing a lot of attention to your design. While this combination can make any piece pop, other color paper combinations such as reddish browns, yellow-greens, grapes, grays and deeper plums can also be paired with Blue Iris for an artful finale.

LOOKING AHEAD
Count on these color trends to continue to find their way into many areas of design. Concern for the environment will not diminish anytime soon, nor will the corresponding colors. We’ll continue to see the subdued tones and untreated textures representing fashion, business collateral, art and design. And while new avenues for inspiration will develop, the tips, techniques and color palettes discussed here will still be valid options and areas to consider when designing a new project in the years to come.

SIDEBARS:

Recommended papers
Author Jeff Fox suggests using the following Wausau papers with the palettes presented in this article: Pair the more muted colors of Wausau Paper’s Royal Resource line, like Natural or Gray, with bright, bold colors for great results and a palette inspired by nature. Wausau Paper’s Royal Fiber and Royal Resource papers convey a sense of warmth and earthiness—perfect for a sustainability or environmental project. Use Astrobrights Re-Entry Red when creating print projects using black, gold or green palettes, inspired by Latin American, Indian and Asian cultures. Astrobrights Glisten Solar Yellow will create a dramatic effect with Pantone’s color for 2008, Blue Iris, against the paper’s shimmering yellow. Also, try the new Royal Complements Chocolate Truffle and Royal Fiber Ice Blue papers with Blue Iris.

TOOLS FOR SAMPLING COLORS
So how do you extract that perfect color from your source of inspiration? A number of resources exist that can help you pick the ideal combinations, whether you’re looking for inspiration, a fresh color palette or feedback on your own creation. Here are just a few worth mentioning:

1. ColorMunki: The color-tool family (www.colormunki.com ColorMunki Photo—$499, ColorMunki Design—$499 and ColorMunki Create—$149) burst onto the scene this past spring. Designed to provide the ability to create, control and communicate color, ColorMunki is an easy-to-use, convergent technology. Of the three ColorMunki products—ColorMunki Photo, ColorMunki Design and ColorMunki Create—the latter two are most useful for designers. The more basic of the two, ColorMunki Create, focuses on color palette creation from sources such as libraries and images. ColorMunki Design comes with more advanced features—like stored, calibrated color palettes that can be seamlessly imported to applications like QuarkXPress, InDesign and Photoshop. You can even automatically create color palettes from photographs. All three ColorMunki products are supported by a website, which provides a community forum for things like palette building and sharing and tutorials.

2. Adobe Kuler: This web-hosted application (http://kuler.adobe.com—free registration required) specializes in helping users develop color palettes for projects ranging from websites to graphic identities to interior design. And once you choose your colors, you don’t have to wait until the client presentation to get feedback. The site invites visitors to rank fellow users’ palettes, and if you find one you like you can even download it. Kuler also makes creating a theme a breeze. Just select a base color and customize your palette using the color wheel, harmony rules and slider tools. And if you find an image that inspires you, upload it and the color extraction tool can generate a color theme based on that.

3. Big Huge Labs: Big Huge Labs (http://www.bighugelabs.com/flickr/colors.php—free) also has a tool to help you craft a pleasing color palette. Just upload a photo, or copy and paste in a URL link of an image, then hit the “create” button and the site will automatically generate a palette of coordinating colors—complete with the hexidecimal numbers and a sample CSS.

Jeff Fox is director of marketing for Wausau Papers printing and writing sector, a leading manufacturer of color uncoated printing and imaging papers. He is responsible for supervising all strategic marketing efforts for the segment, including project branding and the communication of the divisions environmental initiative.
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