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Create a halftone border in Photoshop.
Add a halftone drop shadow using Photoshop.
Color
February/March 2009 V14N1
Shift, alter, distort, transfer. » More
December/January 2008 V13N6
Reverie, Muse, Trance, Dream » More
October/November 2008 V13N5
A look at popular color trends and the influences that drive them, as well as how these trends can all work together to form original and unexpected end products » More
October/November 2008 V13N5
Designers demonstrate the effectiveness of smart, two-color creations. » More
October/November 2008 V13N5
Autonomic, Robotic, Android, Static, Futuristic » More
October/November 2008 V13N5
So how do you find inspiration for a palette? » More
August/September 2008 V13N4
Fancy, complex, intricate, elaborate » More
June/July 2008 V13N3
Action, verve, energy, oomph, kick » More
April/May 2008 V13N2
Gloom, grief, broken-hearted, discouragement. » More
February/March 2008 V13N1
Lush, spring-like, sprouting, plenteous, fragrant. » More
December/January 2008 V12N6
Clear, peaceful, placid, quiet, still » More
October/November 2007 V12N5
Add rich flavor and appeal to any project by mixing in color stocks. » More
October/November 2007 V12N5
An advanced look at problem areas designers face in managing color for output. » More
October/November 2007 V12N5
Daring, bold, gallant, courageous. » More
October/November 2007 V12N5
When dealing with international markets, colors may not be as true as you think. » More
August/September 2007 V12N4
Achieve a dreamlike, fanciful tone that evokes children's books and fairy tales. » More
June/July 2007 V12N3
Party peoples, let your freak flag fly. » More
April/May 2007 V12N2
Incorporate chilling colors into your project palette. » More
February/March 2007 V12N1
A wild color palette is all about daring—picture punk rock. » More
December/January 2007 V11N6
Workable solutions to some of your most commonly asked color-correction questions. » More
December/January 2007 V11N6
Break out the fingerpaints for a giggling-good color palette. » More
October/November 2006 V11N5
How to get the best color from Raw captures using software built into Adobe Photoshop CS/CS2 and Bridge. » More
October/November 2006 V11N5
Color plays a crucial role in the message and mood a logo communicates. Three considerations for employing color in logos will help you master the harmony. » More
October/November 2006 V11N5
Give your next project a workout with an athletic color palette. » More
October/November 2006 V11N5
Iconic colors are powerful brand allies. Here's how they're created. » More
October/November 2006 V11N5
Six rules for employing the arresting power of the color red in your projects. » More
October/November 2006 V11N5
Thanks to a cutting-edge palette and packaging, Method is cleaning up in home care goods. » More
August/September 2006 V11N4
Color management and color correction work in concert with these tools and 8-step workflow. » More
August/September 2006 V11N4
Nature can evoke thoughts of growth, fertility, healing, and harmony. So it’s no wonder that earthy colors, particularly greens, share these connotations. » More
June/July 2006 V11N3
Quality profiles and these steps are all you need. » More
June/July 2006 V11N3
Artist Bonnie Hofkin jokingly informs DG that “color choice in medical art certainly has its dictums when it comes to painting organs." » More
April/May 2006 V11N2
Using hot pinks, yellow-greens and reds, illustrator Jimmy Turrell shows us that an ’80s-inspired color palette can be “totally awesome.” » More
April/May 2006 V11N2
Nine steps will get you to the future of color management: an all-RGB workflow. » More
February/March 2006 V11N1
Managing color in CMYK can be a challenge. These steps will help you master the workflow. » More
February/March 2006 V11N1
Andrea Cobb's work, at times, reflects the powerful palette of the tropics—rich in color with turquoise waters, white sands, and unique flora and fauna. » More
December/January 2006 V10N6
From their people, uptempo music, food rich in taste and texture, and moving histories, Latin American cultures have many reasons to celebrate. » More
October/November 2005 V10N5
Severed body parts, displaced objects, and muted, hazy color tones conjure up chilling images. These eerie themes recur in the work of illustrator and graphic designer Adam Larson. » More
August/September 2005 V10N4
Think freestyling, using colors and imagery found on the street and in the city, getting out of that corporate rut, and incorporating a more individualized theme. » More
June/July 2005 V10N3
With growing emphasis on a fit body and mind, a healthy color palette may be just what your project needs. » More
June/July 2005 V10N3
In just a few minutes you can create this cool blockhead effect on any image. Simply follow the steps below. » More
June/July 2005 V10N3
In just a few minutes you can create this cool color effect on any image. Simply follow the steps below. » More
April/May 2005 V10N2
Although red, white, and blue instinctively conjure American patriotism, this color palette is used in many applications. The contrasts between the colors are striking and bold and can lend strength to any design. » More
 
Feb/March 2005 V10N1
The PDF/X file standard promises reliable, start-to-finish color management. » More
Feb/March 2005 V10N1
Designing a science fiction-inspired color palette doesn’t have to be a mysterious, daunting task. » More
Feb/March 2005 V10N1
In just a few minutes you can create this cool duotone effect. Simply follow the steps below. » More
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