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February/March 2009 V14N1
Business cards are an oft-overlooked art form—a useful marketing tool that can move the receiver to action or, if not done correctly, can have a negative effect on business.
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December/January 2009 V13N6
How a group of innovative in-house creatives were able to leverage the talents of their teams, overcome challenges and develop compelling design work.
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October/November 2008 V13N5
With over 500 million sales of packaged music in 2007 ( The New York Times), music cover art, posters and ephemera are still rock-solid design avenues.
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August/September 2008 V13N4
Discover why package design has never been more important and incorporate these useful tips to make your packaging designs stand out.
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February/March 2008 V13N1
Designers, step away from the computer to rejuvenate projects with some old-school style collaboration, variation and ... mechanics.
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February/March 2007 V12N1
A studio printer should be network ready, easy to run and not break the bank. Not surprisingly, in the past few years not many printers have made the grade.
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December/January 2007 V11N6
Used strategically and with proper attention to details, Variable Data Printing (VDP) can drive direct mail effectiveness to new heights.
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August/September 2006 V11N4
Labels and packages have a design mystique all their own. Here’s what you’ll need to know to take advantage of their graphic potential.
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April/May 2006 V11N2
Portraying the American citizensoldier, GX magazine employs both novel and time-tested techniques to create visual impact.
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April/May 2006 V11N2
A budget not far above what will buy a home-PC printer can get you photo-quality output, painless production of comps, or small press runs for clients.
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April/May 2006 V11N2
Sometimes finding a good concept seems as likely as winning the lottery. Training yourself to look at ordinary objects in new ways can be a powerful source of inspiration.
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June/July 2005 V10N3
The University of Southern California’s admission materials had
served it well. But it was time to take a fresh approach.
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April/May 2005 V10N2
Creating posters for causes can bring out the best in designers—where their skills serve their hearts.
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April/May 2005 V10N2
Binding can attract attention, enhance a printed product, and
even underscore a point. When it’s well executed,
creative finishing and binding is its own art form.
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Feb/March 2005 V10N1
Basic approaches to typography, layout, and hierarchy that can help you assemble the pieces in a way that makes sense for your audience and your client.
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Feb/March 2005 V10N1
Pro bono work is a two-way street. Here’s how to get the most
out of your partnership, no matter which side you’re on.
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